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Pippin, Pennsylvania Playhouse
“CaSandra Kay is in fine voice and steps out and sells it in "Glory" with the Ensemble, "Simple Joys," and "On the Right Track" with Cooper (Pippin). Additionally, CaSandra Kay maintains a sassy authoritative edge, not unlike The Emcee in "Cabaret" (1966). CaSandra Kay's characterization of a malevolent manipulator provides the production an underlying power.”
-Lehigh Valley Press (Paul Willistein)
